![]() ![]() The blue ones just need to be noted and you’ll recognize them easily. Some are only slightly different – and these are in blue. Some letters look quite different – and I’ve highlighted them in red. ![]() No te that when the “push” letter has no indentation, it defaults to the ladyboy version.Ĭlearly this is looking inwards, showing that it is the girl version. No other letters looks like these, so it’s safe to do so. So the loop on the top left can be discarded. ![]() If you look at the 3rd & 4th letters down (ม and น) you’ll notice that the essential difference between these is the loop at the bottom is either on the left of the right. All that has happened is that the unimportant bits of the letter are left out, usually the extraneous loops. The next columns are the modern & handwritten forms. The traditional fonts are in the left column. (For “snaggle-tooth” letter ธ refer to “rolling” ร below…) The letters in black are easily recognizable in the modern fonts, so just focus on the red and blue letters. Obviously, it also helps to have some vocabulary so that you can more or less guess what the word is likely to be from the context.īelow is a table that identifies the differences that you do need to know in order to be able to read the modern fonts. They’re cleaner and have fewer distracting lines and loops than the classic fonts. It takes a bit of practice, but after a while you’ll find that the modern fonts are actually easier to read. Sometimes you’ll see a word you recognize – and by a process of deduction you’ll figure out what the letter is. the ด letter, which could be either ด or ถ in a modern font) then you might have to find another example of the letter, or its counterpart, in the text (hopefully it’s a long enough text to contain more than one example of the same letter). Sometimes if you’re not sure about a particular letter because it could be one of two possibilities (e.g. ![]() You’ll get to recognize these very quickly. The main distinguishing factor is where the loop changes – e.g., for ม it’s on the bottom left, for น it’s on the bottom right, for ห it’s on the top right. For example, ม and น and ห don’t bother with the “head” (the loop on the top left). And if something isn’t important then it’s simply left out. Most of the letters are the same, with bulges or blobs where the loops (heads) were. You may be interested in the following articles as well.As for the modern fonts, if you can more or less recognize the classic fonts, with all the loops in the right places, you are probably ready to have a go at recognizing the more stylish, minimalistic modern fonts. The modern sans-serif fonts are simple looking fonts perfect for branding, logos, greeting cards, typographic quotes, book covers, websites, flyers, packaging designs and more. In order to find the ideal font for you that also adds a nostalgic factor the best sans-serif fonts of 2020 are available online for your use.īest sans-serif fonts for professional design project. Furthermore, this type of font is appealing due to its modern style. Thanks to its nostalgic look, this style of font has been used in a lot of web designs. This typeface is greatly used in casual script, despite not being used in wide logos. The sans-serif fonts are very useful font style and typeface that is now being used in numerous design projects. Due to living in a digital age, we seldom see handwritten or casual script on websites. ![]()
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